2000’lerin ba\u015f\u0131na kadar neredeyse t\u00fcm b\u00fcy\u00fck yap\u0131m filmler 35mm film negatifiyle \u00e7ekiliyordu. Film negatifinin kendine has bir tanecik yap\u0131s\u0131 ve renk tepkisi vard\u0131; bu g\u00f6rsel karakter, uzun y\u0131llar sineman\u0131n sinematik g\u00f6r\u00fcn\u00fcm\u00fcyle \u00f6zde\u015fle\u015fti.<\/p>\n
Dijital sinema kameralar\u0131n\u0131n 2010’lu y\u0131llarda olgunla\u015fmas\u0131yla birlikte prod\u00fcksiyon s\u00fcreci k\u00f6kten de\u011fi\u015fti. Film negatifiyle \u00e7ekim yaparken y\u00f6netmen ve g\u00f6r\u00fcnt\u00fc y\u00f6netmeni \u00e7ekimin sonucunu ancak film banyo edildikten sonra g\u00f6rebiliyordu; dijitalle birlikte \u00e7ekilen g\u00f6r\u00fcnt\u00fc an\u0131nda monit\u00f6rde izlenebilir hale geldi. Bu, setteki karar alma s\u00fcrecini b\u00fcy\u00fck \u00f6l\u00e7\u00fcde h\u0131zland\u0131rd\u0131.<\/p>\n
G\u00f6r\u00fcnt\u00fc kalitesi taraf\u0131nda da \u00f6nemli bir e\u015fik a\u015f\u0131ld\u0131: y\u00fcksek dinamik aral\u0131\u011fa sahip dijital sens\u00f6rler, hem \u00e7ok parlak hem \u00e7ok karanl\u0131k alanlar\u0131 ayn\u0131 karede detayl\u0131 \u015fekilde yakalayabiliyor \u2014 bu, film negatifinin g\u00fc\u00e7l\u00fc oldu\u011fu bir aland\u0131 ve dijitalin ona yeti\u015fmesi zaman ald\u0131.<\/p>\n
Bug\u00fcn baz\u0131 y\u00f6netmenler bilin\u00e7li olarak h\u00e2l\u00e2 film negatifiyle \u00e7ekim yapmay\u0131 tercih ediyor; bunun sebebi genelde nostalji de\u011fil, film negatifinin kendine \u00f6zg\u00fc renk ve tanecik karakterinin dijital sim\u00fclasyonlarla tam olarak e\u015fle\u015ftirilememesi. Ama b\u00fcy\u00fck \u00e7o\u011funluk i\u00e7in dijital i\u015f ak\u0131\u015f\u0131n\u0131n esnekli\u011fi ve maliyet avantaj\u0131 art\u0131k tart\u0131\u015f\u0131lmaz bir standart haline geldi.<\/p>\n","protected":false},"excerpt":{"rendered":"
35mm filmden dijital sinema kameralar\u0131na ge\u00e7i\u015f, g\u00f6r\u00fcnt\u00fc esteti\u011fini ve prod\u00fcksiyon s\u00fcre\u00e7lerini nas\u0131l de\u011fi\u015ftirdi?<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-115","post","type-post","status-publish","format-standard","hentry","category-sinema"],"_links":{"self":[{"href":"https:\/\/ozgenseremet.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ozgenseremet.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ozgenseremet.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ozgenseremet.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ozgenseremet.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=115"}],"version-history":[{"count":0,"href":"https:\/\/ozgenseremet.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/115\/revisions"}],"wp:attachment":[{"href":"https:\/\/ozgenseremet.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ozgenseremet.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ozgenseremet.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}